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Beckett, Samuel

  1. Abbott, H. Porter. "Farewell to Incompetence: Beckett's How It Is and "Imagination Dead Imagine."In Contemporary Literature, Volume 11, No. 1, Winter 1970. pp. 36-47.
    Criticism -- How It Is -- "Imagination Dead Imagine"

  2. In Abel, Lionel. Metatheatre. New York, Hill and Wang, 1963. pp. 83-85, 134-140
    Criticism -- Plays -- Endgame -- Joyce, James

  3. In Adams, Robert Martin. After Joyce. New York: Oxford University Press, 1977. pp. 90-113.
    Criticism -- Novels -- How It Is -- Malone Dies -- Molloy -- Murphy -- The Unnamable -- Watt

  4. In Allsop, Kenneth. The Angry Decade. London P. Owen, 1958. pp. 37-40.
    Criticism -- Works

  5. Alpaugh, David J. "Embers and the Sea: Beckettian Intimations of Mortality." In Modern Drama, Volume 16, 1973. pp. 317-328.
    Criticism -- Embers0

  6. Alpaugh, David J. "Negative Definition in Samuel Beckett's Happy Days ." In Twentieth Century Literature, Volume 11, No. 4, January 1966, pp. 202-210.
    Criticism -- Happy Days

  7. Alpaugh, David J. "The Symbolic Structure of Samuel Beckett's All That Fall." In Modern Drama, Volume 9, 1966. pp. 324-332.
    Criticism -- All That Fall

  8. In Armstrong, William, ed. Experimental Drama. London, G. Bell, 1963. pp. 128-139.
    Criticism -- Works -- Waiting for Godot

  9. Barge, Laura. "'Coloured Images' in the 'Black Dark': Samuel Beckett's Later Fiction. In PMLA, Volume 92, March 1977. pp. 283-284.
    Criticism -- First Love, and Other Stories -- "From an Abandoned Work" -- How It Is -- "Imagination Dead Imagine" -- The Lost Ones -- "Ping" -- Proust

  10. Bentley, Eric. "The Talent of Samuel Beckett." In New Republic, May 14, 1956. pp. 59-66.
    Criticism -- Waiting for Godot

  11. Bersani, Leo. "No Exit for Beckett." In Partisan Review, Volume 33, Spring 1966. pp. 261-268.
    Criticism -- Works

  12. Blair, Deirde. "Mercier and Camier." In The New York Times Book Review, March 9, 1975. pg. 19.
    Criticism -- Mercier and Camier

  13. In Bloom, Harold. Ruin the Sacred Truths. Cambridge, Mass. : Harvard University Press, 1989. pp. 197-204.
    Criticism -- Works

  14. In Bloom, Harold. The Western Canon. New York : Harcourt Brace, c1994. pp. 493-514.
    Criticism -- Shakespeare, William -- Endgame -- Krapp's Last Tape -- Murphy -- Proust -- Waiting for Godot

  15. Brater, Enoch. "Light, Sound, Movement, and Action in Beckett's Rockaby." In Modern Drama, Volume 25, No. 3, September 1982. pp. 342-348.
    Criticism -- Rockaby

  16. Brater, Enoch. "Mis-takes, Mathematical and Otherwise in The Lost Ones." In Modern Fiction Studies, Volume 29, 1983. pp 93-109.
    Criticism -- The Lost Ones

  17. Brater, Enoch. "Why Beckett's Enough Is More or Less Enough." "In Contemporary Literature, Volume 21, Spring 1980, pp. 252-266.
    Criticism -- "Enough"

  18. Brooks, Curtis. "Mythic Pattern in Waiting for Godot."In Modern Drama, Volume 9, No. 3, December 1966. pp. 292-299.
    Criticism -- Waiting for Godot

  19. In Brown, John Russell. Modern British Dramatists. Englewood Cliffs, N.J., Prentice-Hall, 1968. pp. 58-64.
    Criticism -- Waiting for Godot

  20. In Brown, Terence. Ireland's Literature. Mullingar : Lilliput Press ; Totowa, N.J. : Barnes & Noble Books, 1988. pp. 117-126.
    Criticism -- Works -- Children in Literature

  21. In Brustein, Robert. Seasons of Discontent, 1959-1965. New York, Simon and Schuster, 1965. pp. 26-28, 53-56,
    Criticism -- Happy Days -- Krapp's Last Tape -- Play

  22. In Cahalan, James. The Irish Novel . Boston, Mass. : Twayne Publishers c1988. pp. 246-253.
    Criticism -- Works -- Malone Dies -- Molloy -- Murphy -- Watt

  23. Castillo, Debra. "Beckett's Metaphorical Towns." In Modern Fiction Studies , Volume 28, 1982. pp. 191-200.
    Criticism -- Mercier and Camier -- Molloy -- Murphy --

  24. In Clurman, Harold. The Divine Pastime. New York, Macmillan, 1974. pp. 63-65, 107-108, 119-124.
    Criticism -- Works -- Happy Days -- Krapp's Last Tape -- Waiting for Godot

  25. In Clurman, Harold. Lies Like the Truth; Theatre Reviews and Essays. New York, Macmillan, 1958. pp. 220-222.
    Criticism -- Waiting for Godot

  26. In Clurman, Harold. Naked Image. New York, Macmillan, 1966. pp. 40-43.
    Criticism -- Happy Days

  27. Cohen, Robert S. "Parallels and the Possibility of Influence Between Simone Weil's Waiting for God and Samuel Beckett's Waiting for Godot ." In Modern Drama, Volume 6, 1964. pp. 426-436.
    Criticism -- Waiting for Godot

  28. Cohn, Ruby. "The Beginning of Endgame." In Modern Drama, Volume 9, Number 1, May 1961. pp. 319-323.
    Criticism -- Endgame

  29. In Cohn, Ruby. Currents of Contemporary Drama. Bloomington, Indiana University Press, 1969. pp. 33-37, 74-77, 186-197, 224-233.
    Criticism -- Works -- Happy Days -- Waiting for Godot

  30. Cohn, Ruby. "Waiting is All." In Modern Drama, Volume 3, No 2, September 1960. pp. 162-167.
    Criticism -- Waiting for Godot

  31. Cohn, Ruby. Watt in the Light of The Castle." In Contemporary Literature, Volume 12, Spring 1961. ppl 154-166.
    Criticism -- The Castle -- Kafka, Franz -- Watt

  32. In Cook, Albert. Prisms. Bloomington, Indiana University Press, 1967. pp. 100-110, plus see index.
    Criticism -- Endgame

  33. In Contemporary English Novel. New York : Holmes & Meier Publishers, 1980, c1979. pp. 89-102, plus see index.
    Criticism -- Works -- For To Yet Again -- How It Is -- The Lost Ones -- Malone Dies -- Mercier and Camier -- Murphy -- The Unnamable

  34. Cornwell, Ethel. "Samuel Beckett: The Flight from Self." In PMLA, Volume 88, January 1973. pp. 41-51.
    Criticism -- The Unnamable

  35. In Corrigan, Robert. Comedy: Meaning and Form. San Francisco, Chandler Pub. Co., 1965. pp. 427-439.
    Criticism -- Works -- Murphy -- Watt

  36. In Cruickshank, John. The Novelist as Philosopher . London New York, Oxford University Press, 1962. pp. 128-146
    Criticism -- Novels -- Malone Dies -- Molloy -- Murphy -- Textes pour rien (Stories and Texts for Nothing) -- The Unnamable

  37. Culik, Hugh. "The Place of Watt in Beckett's Development." In Modern Fiction Studies, Volume 29, 1983. pp. 57-71.
    Criticism -- Watt

  38. In Davies, Robertson. A Voice from the Attic. New York, Knopf, 1960. pp. 322-323.
    Criticism -- Malone

  39. Dobree, Bonamy. "Drama in England." In Sewanee Review, Volume 64, No. 3, Summer 1956. pp. 470-484.
    Criticism -- Waiting for Godot

  40. Dukore, Bernard. "Krapp's Last Tape as Tragicomedy." In Modern Drama, Volume 15, 1972. pp. 351-354.
    Criticism -- Krapp's Last Tape

  41. In Dunn, Douglas. Two Decades of Irish Writing. Chester Springs, Pa. : Dufour Editions, 1975. pp. 186-196.
    Criticism -- Works

  42. Easthope, Anthony. "Hamm, Clov, and Dramatic Method in Samuel Beckett's Endgame."In Modern Drama, Volume 10, No. 4, February 1968. pp. 424-433.
    Criticism -- Endgame

  43. Eastman, Richard M. "Samuel Beckett and Happy Days." In Modern Drama, Volume 6, February 1964. pp. 417-424.
    Criticism -- Happy Days

  44. Eastman, Richard M. "The Strategy of Samuel Beckett's Endgame." In Modern Drama , Volume 2, No. 1, May 1959. pp. 36-44.
    Criticism -- Endgame

  45. In Ellmann, Richard. a long the river run: Selected Essays. New York : Knopf, 1989, c1988. pp. 229-238.
    Biography

  46. In Engel, Lehman. The Critics. New York : Macmillan, c1976. pp. 128-129, 208-209.
    Criticism -- Krapp's Last Tape -- Waiting for Godot

  47. In Esslin, Martin. Theatre of the Absurd. Garden City, N.Y. Anchor Books, 1969. pp. 11-65.
    Criticism -- Works -- All That Fall -- Endgame -- Happy Days -- Imagination Dead Imagine -- Krapp's Last Tape -- Molloy -- Waiting for Godot -- Whoroscope

  48. Finney, Brian. "A Reading of Beckett's Imagination Dead Imagine." In Twentieth Century Literature, Volume 17, April 1971, pp. 65-71.
    Criticism -- "Imagination Dead Imagine"

  49. In Fletcher, John. New Directions in Literature . London, Calder & Boyars, 1968. pp. 91-95, plus see index.
    Criticism -- Works

  50. Francis, Richard Lee. "Beckett's Metaphysical Tragi-comedy."In Modern Drama, Volume 8, 1965. pp. 259-267.
    Criticism -- Waiting for Godot

  51. Frye, Northrup. "Nightmare Life in Death." In Hudson Review. Volume 13, 1960. pp. 442-449.
    Criticism -- Malone Dies -- Molloy -- Murphy -- The Unnamable -- Waiting for Godot

  52. In Garzilli, Enrico. Circles Without Center: Paths to the Discovery of Self in Modern Literature. Cambridge, Mass.: Harvard University Press, 1972. pp. 47-52.
    Criticism -- The Unnamable

  53. In Gassner, John Theatre At The Crossroads. New York, Holt, Rinehart and Winston [1960]. pp. 252-261.
    Criticism -- Endgame -- Waiting for Godot

  54. In George, Kathleen. Rhythm in Drama. Pittsburgh, Pa. : University of Pittsburgh Press, c1980. See index.
    Criticism -- Plays -- Happy Days -- Waiting for Godot

  55. Gilman, Richard. "Beckett." In Partisan Review, Volume 41, 1974. pp. 56-76.
    Criticism -- Works -- Endgame -- Happy Days -- Waiting for Godot

  56. In Gilman, Richard. The Making of Modern Drama . New York, Farrar, Straus and Giroux [1974]. pp. 234-266.
    Criticism -- Plays -- Endgame -- Happy Days -- Krapp's Last Tape -- Waiting for Godot

  57. In Glicksberg, Charles I. The Self in Literature. Pennsylvania State University Press, 1963. pp. 117-133.
    Criticism -- Works -- Endgame -- Malone Dies -- Molloy -- Murphy -- The Unnamable -- Waiting for Godot

  58. Graver, Lawrence. "Guides to the Ruins." In Partisan Review, Volume 41, No. 4, 1974. pp. 622-625.
    Criticism -- The Lost Ones

  59. In Guicharnaud, Jacques. Modern French Theatre from Giraudoux to Genet. New Haven, Yale University Press, 1967. pp. 230-258, plus see index.
    Criticism -- Plays -- Waiting for Godot

  60. Hampton, Charles C. "Samuel Beckett's Film." In Modern Drama, Volume 11, No. 3, December 1968. pp. 399-305.
    Criticism -- Film

  61. Harvey, Lawrence. "Art and the Existential in En Attendant Godot." In PMLA, Volume 75, March 1960. pp. 137-145.
    Criticism -- Waiting for Godot

  62. In Hassan, Ihab. The Dismemberment of Orpheus. New York, Oxford University Press, 1971. pp. 210-246.
    Criticism -- Works -- Endgame -- How It Is -- Malone Dies -- Molloy -- Murphy -- The Unnamable -- Waiting for Godot

  63. In Hayman, Ronald. Theatre and Anti-Theatre. New York : Oxford University Press, 1979. pp. 1-16, 36-47, plus see index.
    Criticism -- Works -- Endgame -- Happy Days -- Merceir and Camier -- Proust -- Waiting for Godot

  64. In Heppenstall, Rayner. The Fourfold Tradition. London, Barrie and Rockliff, 1961. pp. 254-265.
    Criticism -- Works

  65. Hooker, Ward. "Irony and Absurdity in the Avant-Garde Theatre."In Kenyon Review, Volume 22, Summer 1960. pp. 436-454.
    Criticism -- Waiting for Godot

  66. Hubert, Renee. "Beckett's Play Between Poetry and Performance." In Modern Drama, Volume 9, No. 3, December 1966. pp. 339-346.
    Criticism -- Play

  67. Hutchings, William. "'The Unintelligble Terms of an Incomprehesible Damnation': Samuel Beckett's The Unnamable, Sheol and St. Erkenwald." In Twentieth Century Literature, Volume 27, 1981, pp. 98-111.
    Criticism -- The Unnamable

  68. Iser, Wolfgang. "Beckett's Dramatic Language." In Modern Drama, Volume 9, No. 3, Dec. 1966. pp. 251-259.
    Criticism -- Plays

  69. Jones, Louisa. "Narrative Salvation in Waiting for Godot."In Modern Drama, Volume 17, 1974. pp. 179-188.
    Criticism -- Waiting for Godot

  70. In Karl, Frederick. Contemporary English Novel. New York, Farrar, Straus and Cudahy, 1962. pp. 19-39.
    Criticism -- Novels -- Malone Dies -- Molloy -- Murphy -- The Unnamable -- Watt

  71. Kermode, Frank. "How It Is."In New York Review of Books, Volume 11, March 19, 1964. pp. 194-211.
    Criticism -- How It Is

  72. In Kermode, Frank. Puzzles and Epiphanies. New York, Chilmark Press, 1962. pp. 156-161.
    Criticism -- Works -- Waiting for Godot

  73. In Kern, Edith. The Absolute Comic . New York : Columbia University Press, 1980. See index.
    Criticism -- Works -- Waiting for Godot

  74. Kern, Edith. "Beckett and the Spirit of the Commedia Dell'Arte."In Modern Drama, Volume 9, No. 3, December 1966. pp. 260-267.
    Criticism -- Waiting for Godot

  75. In Kott, Jan. Theatre Notebook, 1947-1967. Garden City, N.Y., Doubleday, 1968. pp. 241-245.
    Criticism -- Happy Days

  76. Lawley, Paul. "Adoption in Endgame." In Modern Drama , Volume 31, No. 4. December 1988. pp. 529-535.
    Criticism -- Endgame

  77. Levy, Eric. "Living Without a Life: Disintegration of the Christian-Humanist Synthesis in Molloy." In Studies in the Novel, Vol. 33, No. 1, Spring 2001, pp. 80-94.
    Criticism -- Molloy

  78. In Lewis, Allan. The Contemporary Theatre. New York: Knopf, 1956. pp. 261-265.
    Criticism -- Plays -- Waiting for Godot

  79. Liddy, James. "Island Truancies: The Sauntering of Mercier and Camier. In Review of Contemporary Fiction, Volume 7, Number 2, 1987. pp. 44-48.
    Criticism -- Mercier and Camier

  80. In Lumley, Frederick New Trends in 20th Century Drama. New York, Oxford University Press, 1967. pp. 202-208.
    Criticism -- Plays -- Happy Days -- Waiting for Godot

  81. Lyons, Charles R. "Beckett's Endgame: An Anti-Myth of Creation." In Modern Drama, Volume 7, September 1964. pp. 204-209.
    Criticism -- Endgame

  82. In Mabley, Edward. Dramatic Construction . Philadelphia, Chilton Book Co., 1972. pp. 314-332.
    Criticism -- Waiting for Godot

  83. McElroy, Joseph. "The Lost Ones." In The New York Times Book Review, October 29, 1972. pp. 4, 20.
    Criticism -- The Lost Ones

  84. In Mailer, Norman. Advertisements for Myself. New York : Putnam, 1959. pp. 320-325.
    Criticism -- Waiting for Godot

  85. In Mauriac, Claude. The New Literature. New York, G. Braziller, 1959. pp. 75-90.
    Criticism -- Works -- Malone Dies -- Molloy -- Murphy -- Tales and Texts for Nothing (Stories and Texts for Nothing) -- The Unnamable -- Waiting for Godot

  86. Milalyi, Gabor. "Beckett's Godot and the Myth of Alienation." In Modern Drama , Volume 9, No. 3. pp. 277-282.
    Criticism -- Waiting for Godot

  87. Mood, John. "The Personal System: Samuel Beckett's Watt."In PMLA, Volume 86, No. 2, March 1971. pp. 255-265.
    Criticism -- Watt

  88. In Moore, Harry T. Twentieth Century French Literature. Vol. 2, Since World War II. Carbondale, Ill.: Southern Illinois University Press, 1966. pp. 58-73.
    Criticism -- Novels -- Plays -- Endgame -- Waiting for Godot

  89. Morse, J. Mitchell. "The Contemplative Life of Samuel Beckett."In Hudson Review. Volume 15, Winter 1962-1963. pp. 512-524.
    Criticism -- Works

  90. In Nadeau, Maurice. The French Novel Since the War. London: Methuen, 1967. pp. 123-126.
    Criticism -- Works

  91. In Nightingale, Benedict. Reader's Guide to 50 Modern British Plays. London : Heinemann ; Totowa, N.J. : Barnes & Noble, 1982. pp. 258-283. Criticism -- Plays -- "Waiting for Godot" -- "Endgame" -- "Not I"

  92. In Oates, Joyce Carol. New Heaven, New Earth. New York : Vanguard Press, 1974. pp. 83-96.
    Criticism - Novels - Malone Dies - Molloy - The Unnamable

  93. Oberg, Arthur K. "Krapp's Last Tape and the Proustian Vision." In Modern Drama, Volume 9, No. 3, December 1966. pp. 333-338.
    Criticism -- Krapp's Last Tape

  94. O'Hara, J.D. "A Writer at the Mercy of Memory." In The New York Times Book Review, November 2, 1980. pp. 7, 45.
    Criticism -- Company

  95. Park, Eric. "Fundamental Sounds: Music in Samuel Beckett's Murphy and Watt." In Modern Fiction Studies, Volume 21, No. 2, Summer 1975. pp. 157-171.
    Criticism -- Murphy -- Watt

  96. Pearce, Richard. "The Limits of Realism." In College English, Volume 31, January 1970. pp. 335-343.
    Criticism -- Waiting for Godot

  97. In Plimpton, George, ed. Playwrights at Work. New York : Modern Library, 2000. pp. 3-22.
    Criticism -- Interview -- Act Without Words -- Endgame

  98. Postlewait, Thomas. "Self-Performing Voices: Mind, Memory and Time in Beckett's Drama." In Twentieth Century Literature, Volume 24, No. 4, Winter 1978. pp. 473-491.
    Criticism -- Plays -- Endgame -- Waiting for Godot

  99. In Pritchett, V. S. The Living Novel & Later Appreciations. New York, Random House, 1964. pp. 315-320.
    Criticism -- Malone Dies -- Molloy -- The Unnamable

  100. Rabinovitz, Rubin. "Style and Obscurity in Samuel Beckett's Early Fiction." In Modern Fiction Studies, Volume 20, 1974. pp. 399-406.
    Criticism -- Murphy -- Watt

  101. Read, David. "Beckett's Search for Unseeable and Unmakeable: Company and Ill Seen Ill Said."In Modern Fiction Studies , Volume 29, 1983. pp. 111-125.
    Criticism -- Company -- Ill Seen Ill Said

  102. In Rexroth, Kenneth. Bird in the Bush . New York, New Directions, 1959. pp. 75-85.
    Criticism -- Works -- Waiting for Godot

  103. Rexroth, Kenneth. "The Point is Irrelevance." In The Nation, Volume 182, April 14, 1956. pp. 325-328.
    Shelved in Social Sciences Department.
    Criticism -- Works

  104. Ricks, Christopher. "Beckett First and Last." In The New York Review of Books, Volume 19, December 12, 1972. pp. 42-44.
    Criticism -- The Lost Ones

  105. In Roudiez, Leon S. French Fiction Today. New Brunswick, N. J., Rutgers University Press, 1972. pp. 81-103.
    Criticism -- Novels -- How It Is (Comment c'est) -- Malone Dies -- Molloy -- Murphy -- The Unnamable

  106. Schechner, Richard. "There's Lots of Time in Godot."In Modern Drama, Volume 9, No. 3, December 1966, pp. 268-276.
    Criticism -- Waiting for Godot

  107. Schoell, Konrad. "The Chain and the Circle: A Structural Comparison of Waiting for Godot and Endgame. In Modern Drama, Volume 11, No. 1, May 1968. pp. 48-53.
    Criticism -- Endgame -- Waiting for Godot

  108. In Segal, Erich. The Death of Comedy. Cambridge, Mass. : Harvard University Press, 2001. pp. 434-452.
    Criticism -- Krapp's Last Tape -- Waiting for Godot

  109. Senneff, Susan Field. "Song and Music in Samuel Beckett's Watt." In Modern Fiction Studies, Volume 4, 1964. pp. 137-149.
    Criticism -- Watt

  110. Sheedy, John J. "The Comic Apocalypse of King Hamm." In Modern Drama, Volume 9, No. 3, December 1966. pp. 310-318.
    Criticism -- Endgame

  111. In Sherrell, Richard E. The Human Image: Avant-Garde and Christian. Richmond, John Know Press, 1969. pp. 45-64.
    Criticism -- Waiting for Godot

  112. Smith, Frederik N. "Beckett's Verbal Slapstick." In Modern Fiction Studies , Volume 29, 1983, pp. 45-55.
    Criticism -- Works -- Company -- How It Is -- The Lost Ones -- Molloy -- Murphy -- The Unnamable -- Watt

  113. Smith, Roch. "Naming the M/inotaur: Beckett's Trilogy and the Failure of Narrative." In Modern Fiction Studies , Volume 29, 1983. pp. 73-80.
    Criticism -- Malone Dies -- Molloy -- The Unnamable

  114. Stein, Karen. "Metaphysical Silence in Absurd Drama." In Modern Drama, Volume 13, February 1971, pp. 423-431.
    Criticism -- Waiting for Godot

  115. Steinberg, S.C. "The External and the Internal in Murphy."In Twentieth Century Literature, Volume 18, No. 2, April 1972. pp. 93-110.
    Criticism -- Murphy

  116. Steiner, George. "Of Nuance and Spirit." In The New Yorker, Volume 44, April 27, 1968. pp. 164-174.
    Criticism -- Works

  117. In Stevenson, Randall. The British Novel Since the Thirties. Athens : University of Georgia Press, c1986. pp. 196-200.
    Criticism -- Novels -- Malone Dies -- Molloy -- Murphy -- The Unnamable

  118. In Styan, J. L. The Dark Comedy. Cambridge, Eng., University Press, 1962. pp. 226-231, plus see index.
    Criticism -- Plays -- All That Fall -- Waiting for Godot

  119. Swanson, Eleanor. "Samuel Beckett's Watt: A Coming and a Going." In Modern Fiction Studies, Volume 17, No. 2, Summer 1971. pp. 264-268.
    Criticism -- Watt

  120. "They Also Serve." In Times Literary Supplement, No. 2185, February 10, 1956. pg. 84.
    Criticism -- Waiting for Godot

  121. Thomas, Ronald. "In the Company of Strangers: Absent Voices in Stevenson's Dr. Jekyll and Mr. Hyde and Beckett's Company." In Modern Fiction Studies, Volume 32, 1986. pp. 164-172
    Criticism -- Stevenson, Robert Louis -- Company -- Dr. Jekyll and Mr. Hyde

  122. Trousdale, Marion. "Dramatic Form: The Example of Godot."In Modern Drama, Volume 11, No. 1, May 1968. pp. 1-9.
    Criticism -- Waiting for Godot

  123. In Tynan, Kenneth. Curtains. New York, Atheneum, 1961. pp. 101-103.
    Criticism -- Waiting for Godot

  124. In Tynan, Kenneth. Tynan Left and Right. New York, Atheneum, 1967. pp. 105-106.
    Criticism -- Happy Days

  125. In Walcutt, Charles Child. Man's Changing Mask. Minneapolis, University of Minnesota Press, 1966. pp. 339-346.
    Criticism -- Malone Dies

  126. Wood, Michael. "Comedy of Ignorance." In New York Review of Books, Volume 28, No. 7, April 30, 1081. pp. 49-52.
    Criticism -- Works -- "All Strange Away" -- Company -- "Ohio Impromptu" -- "A Piece of Monologue" -- Rockaby

  127. Zilliacus, Clas. "Samuel Beckett's Embers: A Matter of Fundamental Sounds." In Modern Drama, Volume 13, September 1970. pp. 216-225.
    Criticism -- Embers

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